TV-Production
Logline

Along the otherworldly salt flats in Botswana, Africa’s oldest living beings – the majestic baobab trees – bear witness to the ebb and flow of life. Through the rhythm of the changing seasons, the interconnected stories of animals and people unfold beneath these towering, enduring giants of the Makgadikgadi Pans.

Synopsis

Along the rims and scattered across countless islands of the Makgadikgadi salt pans – a place so vast it’s visible from space – stand the oldest living beings in Africa: the baobab trees. Known locally as mowanas, these iconic giants rise as prominent landmarks against the sprawling horizon. As a keystone species of the African savanna, these extraordinary succulents, Adansonia digitata, can reach an astonishing age of over 1,400 years. Their exceptional longevity and resilience continue to baffle scientists up to this day.

The Makgadikgadi salt flats are perpetually shaped and battered by the elements. In a matter of months, the vibrant and green landscape of the wet season, teeming with life, undergoes a dramatic change and transforms into an arid and dusty expanse. As the environmental conditions shift, the baobabs stand unwavering. It is now, during their winter dormancy, that these trees with their barren branches reveal their true sculptural beauty – each baobab is a unique masterpiece, shaped by centuries of survival in one of Earth’s most unforgiving environments.

However, the baobab or mowana is much more than just a tree – it’s a thriving ecosystem. Its gnarled trunk, with its myriad grooves, hollows, and niches, along with its sprawling branches and extensive root system, provides a sanctuary to a diverse array of life. Birds, small mammals, insects, reptiles, and amphibians find such bountiful food and shelter that the baobab was coined “a forest unto itself.”

During the scorching five-month-long dry season, the baobab unveils one of its most precious gifts – pools of vital shade. In the heat of the day, one can observe an extraordinary meeting of two colossal beings of the African bush: the rooted giant, with its massive stem and expansive canopy, creates a cool respite for the wandering giant of the pan – the elephant. Like their congregations at water holes, these nomadic behemoths – primarily bull elephants – converge beneath the baobab’s generous canopy. Yet here, in the dappled shade, their gatherings take on a more intimate and tranquil air. They rest their massive heads and heavy limbs on trunk or roots, and then, after seemingly exchanging gossip, wander off again into the vast mopane forests.

But that’s not all the baobab has to offer during the hardest times of the year. The flowers that were pollinated during the wet months have grown into hard, ripe fruits that now fall to the ground. This nutritious and versatile food source is cherished by local communities, bridging the gap between sustenance and survival.

This film not only chronicles the life thriving around the baobabs but also delves into the rich, yet little-known human history of the region. Evidence of early hunter-gatherers and later pastoralists has been documented along the ancient lake that dried out over millennia, now forming today’s salt flats. These ancient inhabitants likely utilized the baobab’s diverse resources in ways similar to how modern-day Botswanans continue to benefit from this iconic African tree, illustrating a timeless bond between humans and nature.

In essence, this TV production documents and explores the captivating story of the baobabs in the Makgadikgadi salt pans, where the lives of animals and people intertwine with these enduring giants of Botswana’s dusty wetlands.

Audience

Rarely captured on film, the beauty of the Makgadikgadi salt pans of Botswana take center stage in this captivating 45-minute TV production. Perfect for younger or older curious minds, who love to travel, nature and history, this film opens a window to a little-known region in Africa where nature and humanity have coexisted for millennia

Tailored for a global audience, the film hopes to be broadcasted in Southern African countries, particularly Botswana, South Africa, and Namibia. Additionally, the documentary will target in-flight entertainment systems, offering travelers tantalizing glimpse of the wonders awaiting them in this seldom visited corner of Botswana.


Production Team

Producer

Irene Reynolds Schier PhD, Vidalia Productions, Switzerland

Director

Steven Stockhall, EarthArk Productions, Botswana

Cameras

Steven Stockhall & Danny Crouse, Earth Ark Productions, Botswana
and Mike Amos, Mozi Productions, Botswana

Talents

Damo Xishee, Kaashee Xishee, Xixae M. Xamme, Botswana

Post-Production Management

Lauro Jenni, IVY Filmstudio, Switzerland

Editing

Robyn Currell, Earth Ark Productions, Botswana
Sophie Gala Blöchlinger, Switzerland

Narration

Aubrey Moitoi, Botswana

Music

Alexandre J. Maurer, Switzerland

Scientific Advice

Sallie Burrough PhD, Oxford Univ., England

Logistic Support and Guiding

Roger Dugmore Safaris, Botswana


Technical Details

Language

English

Content

Family Viewing

Time

45 minutes

Exhibition

Format: HD

Aspect Ratio

16:9

Shooting Format

4K

About

Vidalia Productions

Irene Reynolds Schier
The Face behind Vidalia
Contact

It all starts with a chat

Connect with
Vidalia Productions
Telling Stories

The Baobabs of Botswana

About the project

Wer während der Autofahrt über Handy oder Freisprechanlage telefoniert, fährt wie ein angetrunkener Wagenlenker. Zu diesem Schluss kommen die Psychologen Frank Drews, David Strayer und der Toxikologe Dennis Crouch von der Universität Utah.


Credits

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

The face behind Vidalia

Irene Reynolds Schier, PhD

Vidalia Productions, established in 2023 by Irene Reynolds Schier, is a Swiss-registered independent film and video production company. We specialize in crafting immersive nature and cultural documentaries that transport viewers to the far reaches of our planet.
Irene’s journey began with the iconic photography and stories of adventure in National Geographic Magazin, kindling a lifelong passion for nature, travel, and cultural diversity. This interest led her to pursue a Master’s in Cultural Anthropology and Spanish, followed by a PhD in Human Geography from the University of Basel, Switzerland.

In 2017, Irene seized the opportunity to join FOP Films (Cape Town, South Africa) as a shareholder, and she immersed herself in every facet of filmmaking. She participated in film shoots across Botswana, Namibia, South Africa and the USA and managed logistics for a shoot in Indonesia. She was deeply involved in post-production, marketing and industry representation at film festivals or TV markets such as MIPTV in Europe and Africa.

These rich experiences inspired her to establish Vidalia Productions – a platform for Irene to bring her unique cinematic vision to life.

Telling Stories

The Baobabs of Botswana

About the project

Wer während der Autofahrt über Handy oder Freisprechanlage telefoniert, fährt wie ein angetrunkener Wagenlenker. Zu diesem Schluss kommen die Psychologen Frank Drews, David Strayer und der Toxikologe Dennis Crouch von der Universität Utah.


Credits

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

The face behind Vidalia

Irene Reynolds Schier, PhD

Vidalia Productions, established in 2023 by Irene Reynolds Schier, is a Swiss-registered independent film and video production company. We specialize in crafting immersive nature and cultural documentaries that transport viewers to the far reaches of our planet.
Irene’s journey began with the iconic photography and stories of adventure in National Geographic Magazin, kindling a lifelong passion for nature, travel, and cultural diversity. This interest led her to pursue a Master’s in Cultural Anthropology and Spanish, followed by a PhD in Human Geography from the University of Basel, Switzerland.

In 2017, Irene seized the opportunity to join FOP Films (Cape Town, South Africa) as a shareholder, and she immersed herself in every facet of filmmaking. She participated in film shoots across Botswana, Namibia, South Africa and the USA and managed logistics for a shoot in Indonesia. She was deeply involved in post-production, marketing and industry representation at film festivals or TV markets such as MIPTV in Europe and Africa.

These rich experiences inspired her to establish Vidalia Productions – a platform for Irene to bring her unique cinematic vision to life.