TV-Production
Logline

In Botswana’s harsh Makgadikgadi salt pans, Africa’s oldest living being - the baobab tree - has stood for centuries silently witnessing the lives of animals and people unfold beneath its ancient canopy. 

Synopsis

Giants of an Ancient Lake: Life Around the baobabs of Botswana

On the rims and scattered islands of Botswana’s Makgadikgadi salt pans – shimmering remnants of a prehistoric lake so vast it is visible from space – stand Africa’s oldest living beings: the baobabs. Undisputed sentinels of land and time, baobabs may reach an age of hundreds of years or more. These gnarled titans endure extreme seasonal changes across the Makgadikgadi, spanning from a brief wet phase – when the pans transform into a verdant oasis teeming with life – to prolonged dry periods that trap the region in scorching heat and winds, rendering it into one of Earth’s most inhospitable and dustiest places.

The proportions of a baobab are so remarkable that it has been called a forest in itself, reflecting aptly the web of life that surrounds it. Birds and small mammals build homes within its expansive canopy and branches or slip in and out of hollows, while reptiles and insects often nestle into the countless niches of its folded bark. During the heat of the day, the baobab’s broad shadow offers welcome refuge not only to elephants but also to cattle, goats, and donkeys that roam the edges of the pans.

Anchored in place for centuries, exposed to the elements and individually shaped by specific conditions, baobabs master the art of adaptation, demonstrating astounding botanical qualities. Roots, shallow but thick and extensive, snake through the bushveld with impressive force, constricting rocks in their relentless quest for moisture and nutrients. While robust bark enables photosynthesis when the baobabs shed their foliage during the dry season, the colossal trunk functions as a water reservoir and moreover, provides stability to the tree.

Yet, at times, even giants tumble, and recently one of Botswana’s arboreal monuments uprooted, it’s causes still under discussion. The soft wood, disintegrating quickly, was a silent witness to 1,400 years of human history — from the Bantu migration to the rise of modern-day Botswana – and vanished within just a few years. Overgrazing and mounting pressure between wildlife and livestock threaten baobab saplings that risk being nibbled away before they reach a critical height. What a loss - not only for the animal kingdom but for people of the pans as well. As vital pillars and towering landmarks, baobabs are places where communities congregate to worship, to connect with their ancestors or to collect nutritious fruits — developed from night-blooming flowers – that conveniently ripen during the harshest time of the year.

Elephants too, have long known the marvels of the baobab: Drawn to the moisture and minerals contained in the baobab trunk, they strip and chew its refreshing contents, while inflicting deep wounds on the stem. By activating potent self-healing properties that regenerate the damaged bark, most baobabs survive this brutish mangling, proving once more their unique and powerful resilience.

Rooted to the spot and enduring, the baobab is a silent witness to the coming and going of the herds and to human migration across the pans for centuries. Sculpted by time and stories etched into its bark, the baobab is a sanctuary of life, providing food, shade, and shelter to both wildlife and people who seek it out in Botswana’s dusty wetland.

Audience

Rarely captured on film, the beauty of the Makgadikgadi salt pans of Botswana take center stage in this captivating 45-minute TV production. Perfect for younger or older curious minds, who love to travel, nature and history, this film opens a window to a little-known region in Africa where nature and humanity have coexisted for millennia

Tailored for a global audience, the film hopes to be broadcasted in Southern African countries, particularly Botswana, South Africa, and Namibia. Additionally, the documentary will target in-flight entertainment systems, offering travelers tantalizing glimpse of the wonders awaiting them in this seldom visited corner of Botswana.


Production Team

Producer / Director

Irene Reynolds Schier PhD, Vidalia Productions, Switzerland

Director of Photography

Steven Stockhall, Earth Ark Productions, Botswana

Narration

Chi Mhende, South Africa

Cameras

Steven Stockhall & Danny Crouse, Earth Ark Productions, Botswana
and Mike Amos, Mozi Productions, Botswana

Talents

Xishee Damo, Botswana
Xishee Kaashee, Botswana
Xhamme Xixae M., Botswana
Patrick Mazera, Botswana
Aobakwe Kobamelo, Botswana
Keafentse Galakwo, Botswana

Post-Production Management

Lauro Jenni, IVY Filmstudio, Switzerland

Editing

Sophie Gala Blöchlinger, Natasha de Grandi, Switzerland
Robyn Currell, Earth Ark Productions, Botswana

Music

Alexandre J. Maurer, Switzerland

Scientific Advice

Sallie Burrough PhD, Oxford Univ., England
Sarah Venter, PhD, South Africa

Logistic Support and Guiding

Roger Dugmore Safaris, Botswana


Technical Details

Language

English

Content

Family Viewing

Time

45 minutes

Exhibition

Format: HD

Aspect Ratio

16:9

Shooting Format

4K

© 2025 Vidalia Productions

About

Vidalia Productions

Irene Reynolds Schier
The Face behind Vidalia
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Vidalia Productions
Telling Stories

The Baobabs of Botswana

About the project

Wer während der Autofahrt über Handy oder Freisprechanlage telefoniert, fährt wie ein angetrunkener Wagenlenker. Zu diesem Schluss kommen die Psychologen Frank Drews, David Strayer und der Toxikologe Dennis Crouch von der Universität Utah.


Credits

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

The face behind Vidalia

Irene Reynolds Schier, PhD

Vidalia Productions, established in 2023 by Irene Reynolds Schier, is a Swiss-registered independent film and video production company. We specialize in crafting immersive nature and cultural documentaries that transport viewers to the far reaches of our planet.
Irene’s journey began with the iconic photography and stories of adventure in National Geographic Magazin, kindling a lifelong passion for nature, travel, and cultural diversity. This interest led her to pursue a Master’s in Cultural Anthropology and Spanish, followed by a PhD in Human Geography from the University of Basel, Switzerland.

In 2017, Irene seized the opportunity to join FOP Films (Cape Town, South Africa) as a shareholder, and she immersed herself in every facet of filmmaking. She participated in film shoots across Botswana, Namibia, South Africa and the USA and managed logistics for a shoot in Indonesia. She was deeply involved in post-production, marketing and industry representation at film festivals or TV markets such as MIPTV in Europe and Africa.

These rich experiences inspired her to establish Vidalia Productions – a platform for Irene to bring her unique cinematic vision to life.

Telling Stories

The Baobabs of Botswana

About the project

Wer während der Autofahrt über Handy oder Freisprechanlage telefoniert, fährt wie ein angetrunkener Wagenlenker. Zu diesem Schluss kommen die Psychologen Frank Drews, David Strayer und der Toxikologe Dennis Crouch von der Universität Utah.


Credits

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

Agency

Heimat Berlin

The face behind Vidalia

Irene Reynolds Schier, PhD

Vidalia Productions, established in 2023 by Irene Reynolds Schier, is a Swiss-registered independent film and video production company. We specialize in crafting immersive nature and cultural documentaries that transport viewers to the far reaches of our planet.
Irene’s journey began with the iconic photography and stories of adventure in National Geographic Magazin, kindling a lifelong passion for nature, travel, and cultural diversity. This interest led her to pursue a Master’s in Cultural Anthropology and Spanish, followed by a PhD in Human Geography from the University of Basel, Switzerland.

In 2017, Irene seized the opportunity to join FOP Films (Cape Town, South Africa) as a shareholder, and she immersed herself in every facet of filmmaking. She participated in film shoots across Botswana, Namibia, South Africa and the USA and managed logistics for a shoot in Indonesia. She was deeply involved in post-production, marketing and industry representation at film festivals or TV markets such as MIPTV in Europe and Africa.

These rich experiences inspired her to establish Vidalia Productions – a platform for Irene to bring her unique cinematic vision to life.